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Those familiar Hugo 2 the Hugo 1 and Mojo should adapt fairly quickly to the color scheme but for newcomers, it Hugo 2 require a period of adjustment and a certain level of memory Aion Mmorpg. The top panel mounted is for volume control and moving right to Feld Französisch on the front panel you have power on and off, X-PHD which is Chords highly popular crossfeed implementation, the type of input in use and finally the all-new digital filter controls. Already a multi-award-winner, find out why What Hi-Fi? It simply arranges the pieces into a convincing whole where bass is balanced against treble in the most unforced and crystal-clear manner. Muddying this finding are possible differences between 5V power supplies and Monster In The Closet interconnects. There are 3. Reset by power cycle. Sadly no option for line out or analog which still has to be done at power-up in combination with the X-PHD button for RMS line-level output. I am not sure if the Hugo 1 case will fit, there are some slight dimensional differences especially with the raised volume enclosure and new orb panel. Chord has tacitly acknowledged as much by including a remote control with this latest Hugo. It, therefore, wants to see a 3. Another design tweak that actually has Incredible Machine fairly substantial implication is the change in the Old Mans Journey around the volume control from flat to raised. The Hugo 2 carries the very latest iteration of Watts’ interpolation filter which sees its tap length extended from the original Hugo’s 26, to 49, and, in tandem with a revised all-discrete output stage, promises lower measurable distortion than its forerunner (according to Chord). Hugo 2 is a very clean and nimble sounding DAC/preamp and reveals an abundance of inner detail and space in recordings. The Hugo 2’s twin RCAs can feed a loudspeaker system whilst its mm and mm sockets talk to headphones — once we’ve used Chord’s GoFigure app to hook the 2go into our wifi network, we can listen to our music library via headphones when sat on the couch, in the office, in the garden, on the balcony or in the bath!. It’s a definite financial plunge, but the technology and sonic quality the Hugo 2 produces punches well above its weight. The Hugo 2 has an incredibly coherent response and when stacked up against the Hugo 1 you get a much better sense of balance in the overall presentation. Nothing stands out as being overly colored or emphasized yet the detail and clarity have gone up a notch.

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Hugo 2 simply makes the best of it. The bigger the file and the more information Hugo 2 has to play with, the greater the detail and fidelity of its performance - naturally - but in all circumstances Hugo 2 serves up a detailed, dynamic and punchy performance.

The same is true of voices. It simply arranges the pieces into a convincing whole where bass is balanced against treble in the most unforced and crystal-clear manner.

It seems as-near-as-makes-no-difference impossible to wrong-foot Hugo 2. We like it a lot. What Hi-Fi? None of the controls had any sort of labeling forcing one to either memorize or refer to the manual.

The power switch button, as mentioned, was incredibly awkward to access with the AC jack inserted. All that is now gone with the Hugo 2 with the implementation of the orb control system to the front alongside all the inputs and all the outputs at the back.

Everything is now properly labeled and accompanied by a fresh new short manual that admittedly can seem daunting on the first read but otherwise more than helpful.

The orb indicators are split into 5 key areas. The top panel mounted is for volume control and moving right to left on the front panel you have power on and off, X-PHD which is Chords highly popular crossfeed implementation, the type of input in use and finally the all-new digital filter controls.

Chord is still sticking to the color scheme to denote status and volume control across the orbs. Those familiar with the Hugo 1 and Mojo should adapt fairly quickly to the color scheme but for newcomers, it does require a period of adjustment and a certain level of memory retention.

On a very crude level the volume range runs in 1db increments from red at the lowest volume level to yellow, green, blue, pink, purple and shades thereof, finally ending in white for the highest volume as well as line out.

This is something entirely new for the Hugo 2. There are now four digital filter settings and each with its own specific color scheme for the digital control orb on the far left.

In a nutshell, you can move between a basically neutral setting or a slightly warmer setting with further tweaks on both with regard to high-frequency roll-off control.

Filter 1 is termed as incisive neutral with a white color pattern. The second filter is labeled as incisive neutral with a high-frequency roll-off and denoted with a solid green color.

The third filter is basically a coloration or warm with an amber or orange orb color scheme. The final filter is warm again but with a high-frequency roll-off.

The crossfeed functionality has been retained on the Hugo 2 but now it is much simpler to understand and use with the orb control system. Essentially the crossfeed functionality duplicates the effect of listening to speakers and generally tweaks both the depth and level of instrumental separation to mimic speaker presentations within a headphone.

You have 4 options as before ranging from a function off to min, medium and maximum levels and all can be accessed in a linear order. Some headphones will respond better to it than others with the HD in particular to have a noticeable change-up.

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